Annie Leibovitz with her image of nude Demi More for cover of Vanity Fair
Step behind the scenes to hear how Annie Leibovitz took the above cover photo of Demi Moore for Vanity Fair. Several years ago I had the Pleasure of walking through Annie’s exhibition of A Photographer’s Life in San Francisco. I got the shot of her above as she was telling the story;  listen in on that conversation:

Demi Moore–you get to photograph people several times. Those are some of the more interesting relationships, for me. And I had photographed Bruce and Demi’s wedding because I photographed Bruce Willis first, I believe, and then, started photographing Demi.

And Demi, said, “would you take pregnant pictures of me when I get pregnant?”

“I said, Oh! I’d love to!”

I actually stopped on a flight back from the west coast back to the east coast there, I think Bruce was working on a film in Kentucky, and I took these pictures. [Pointing to another image] This is one of the frames here of a Polaroid negative of Bruce and Demi when she was pregnant with her first child.

So when we got together to do this Vanity Fair cover it was kind of interesting because you know, Vanity Fair was nervous, “Well, how are we going to do this? She’s really pregnant, how are we going to fit her on the cover?” Everyone was thinking about how to disguise her being pregnant. You know, like “how to not…You know, we can’t really…You know, ah shoot? We can’t, you know, we have to take these pictures now and…I But, you know, she’s pregnant and what are we going to do?”

And everyone is thinking, oh well; I’ll “just probably end up doing a head portrait.” Everyone was really thinking about how to, evade it, and how not to …that was the way of dealing with it.

And so Demi and I, we knew each other pretty well so,after I’d taken several pictures of her with several clothing changes, I said,  ”why don’t I do some nudes of you but for the second child, do you have another set of pictures?”

And then she dropped her clothing and I started to shoot, “I said well this looks really, I mean, maybe we could make this a cover, you know? I don’t know, why not?”

So she said “yes, maybe”.

So we tried to hide everything, as best you could. And I brought the work back to Tina Brown in New York and she made a decision to go ahead with it. And this is one of those things, it had a life of its own.

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